Asian Art at Marchant

Chinese imperial porcelain blue-glazed altar vessel and cover, dou, modelled after an archaic bronze with moulded and carved archaic designs, the upright body with ribs and bands all on a splayed, ribbed foot, the cover with a design of scrolls, fretwork and registers of stylised waves beneath a double-rope twist openwork finial, covered overall including the interior and underside in a deep and even blue glaze.

27.5 cm high.

The interior of the cover and the underside with six-character sealmarks of Qianlong and of the period, 1736-1795.

Chinese porcelain famille noire and gilt hexagonal brushpot, decorated with six panels containing Buddhist and Daoist figures, Liu Hai and his three-legged toad, Damo amongst waves, Lan Cai He with a staff and basket of flowers, Zhongli Quan with a fan, Jiang Ziya in his fishing hat and He Xiangu holding a flower, all on an elaborate seed green ground amongst flowering peonies, the foot similarly decorated, the rim with a scrolling band in underglaze blue, the base glazed white.

Kangxi, 1662-1722.

4 7/8 inches high, 12.3cm.

Chinese famille verte biscuit porcelain water dropper, shuizhu, of a recumbent piebald horse on a green glazed leaf-form base, with head turned to the side beneath its long flowing segmented mane and forelock falling between the pricked ears, the front legs bent as if about to stand, covered on the body with dark brown enamel patches on a pale cream translucent ground, the back with open oval aperture, the tail and mane heightened in pale aubergine glaze, the bridle and hair to the small pastern heightened in yellow, the base unglazed.

5 3/4 inches, 14.6 cm long.

Early Kangxi, circa 1680.

Wood stand.