Asian Art at Marchant

A large and impressive Chinese porcelain famille rose-verte charger, painted with a scene from the “Dream of the Red Chamber” with Lin Daiyu being introduced to her new tutor Jia Yucun by her father Lin Ruhai, within an elaborately decorated pavilion with draped curtains and tables with various ornaments and flowers, the foreground set with pierced garden rocks and flowering shrubs all beneath a prunus tree amongst iron-red, gilt, yellow and blue clouds, all within a gilt and iron-iron floral and diaper border amongst four leaf-shaped panels depicting elegant reclining ladies, the underside glazed white.

Yongzheng, 1723-1735.

18 ¾ inches, 47.5cm diameter.

A very fine and rare pair of Chinese imperial porcelain blue and white moonflasks, bian hu, each with ruyi-head terminal handles, flared rim and everted foot, painted on each side with peach-shaped relief panels of five large fruiting peaches on a singular leafy branch between a pair of bats in flight encircled by scrolling branches of lotus and camellia within underglaze blue double lines, the flat sides with a continuous scrolling branch of fruiting lingzhi between pairs of double lines, the neck painted with a band of lotus beneath* ruyi*-heads and a floral band with scrolling leafy branches at the rim, the foot with a continuous band of leaves and branches.

Each base with a six-character sealmark of Qianlong in underglaze blue and of the period, 1736-1795.

9 ½ inches, 24.2 cm and 9 9/16 inches, 24.3 cm high.

Japanese porcelain pale celadon glazed pinched ‘lotus’ flower-shaped beaker vase, with tall slender body, gently splayed foot and wide pinched flower rim, covered overall on the base and interior in an even pale celadon glaze thinning at the rim and edge of the foot rim, the flat foot unglazed revealing the biscuit body.

13 inches, 33.1 cm high.

Kawase Shinobu, 1985.

Wood box, described as ‘celadon flower vase’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth.