Asian Art at Marchant

A very large Chinese imperial porcelain “hundred bats”, baifu, charger painted with iron-red bats in flight amongst fencai stylised ruyi-head clouds in purple, turquoise, blue and yellow enamels, all within a gilt band at the rim, the underside similarly decorated above a gilt band at the foot and beneath an iron-red line at the rim.

20 ¼ inches, 51.5 cm diameter.

The base with a six-character mark of Guangxu in iron-red and of the period, 1875-1908.

Japanese porcelain celadon lavender glazed cylindrical flower vase, mizusashi or bitong, with five petalled rim, the wide cylindrical body above two ribs at the foot and beneath a gently flared rim with the glaze thinning, covered overall on the base and the interior in an even celadon lavender Ru-type glaze, the biscuit foot rim brown.

6 ¾ inches, 17.1 cm high.

Kawase Shinobu, 1983.

Wood box, described as ‘celadon flower vase’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth.

Pair of Chinese imperial porcelain lavender-glazed altar vessels and covers, dou, each modelled after an archaic bronze with moulded and carved archaic designs, the upright body with ribs and bands all on a splayed, ribbed foot, the cover with a design of scrolls, fretwork and two registers of stylised waves beneath a double-rope twist openwork finial, covered overall including the interior and underside in a luminous, rich and even lavender glaze, all the rims dressed in brown in veneration of the archaic prototype.

The interior of the cover and the underside of the base of each with a six-character sealmark of Qianlong and of the period, 1736-1795.

9 ¾ inches, 24.8 cm and 9 ⅞ inches, 25.1 cm high.