Asian Art at Marchant

Large pair of Chinese famille verte biscuit porcelain, sancai lotus-pod form pyramid scroll weights, zhizhen, each consisting of large lotus pods stacked amongst lotus leaves and branches with green glazed relief steepled flat ends and yellow glaze bodies, one with a small pod issuing from leaves at the top, all on quadrifoliate lobed integral stands splashed in yellow, green and aubergine, with a flat everted ridge edge and green rim, the bases unglazed.

7 ⅞ inches, 20 cm high.

Early Kangxi, circa 1680.

Wood stands.

A very fine and rare pair of Chinese imperial porcelain blue and white moonflasks, bian hu, each with ruyi-head terminal handles, flared rim and everted foot, painted on each side with peach-shaped relief panels of five large fruiting peaches on a singular leafy branch between a pair of bats in flight encircled by scrolling branches of lotus and camellia within underglaze blue double lines, the flat sides with a continuous scrolling branch of fruiting lingzhi between pairs of double lines, the neck painted with a band of lotus beneath* ruyi*-heads and a floral band with scrolling leafy branches at the rim, the foot with a continuous band of leaves and branches.

Each base with a six-character sealmark of Qianlong in underglaze blue and of the period, 1736-1795.

9 ½ inches, 24.2 cm and 9 9/16 inches, 24.3 cm high.

Japanese porcelain celadon lavender glazed cylindrical flower vase, mizusashi or bitong, with five petalled rim, the wide cylindrical body above two ribs at the foot and beneath a gently flared rim with the glaze thinning, covered overall on the base and the interior in an even celadon lavender Ru-type glaze, the biscuit foot rim brown.

6 ¾ inches, 17.1 cm high.

Kawase Shinobu, 1983.

Wood box, described as ‘celadon flower vase’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth.