Asian Art at Marchant

Chinese famille verte biscuit porcelain water dropper, shuizhu, of a recumbent piebald horse on a green glazed leaf-form base, with head turned to the side beneath its long flowing segmented mane and forelock falling between the pricked ears, the front legs bent as if about to stand, covered on the body with dark brown enamel patches on a pale cream translucent ground, the back with open oval aperture, the tail and mane heightened in pale aubergine glaze, the bridle and hair to the small pastern heightened in yellow, the base unglazed.

5 3/4 inches, 14.6 cm long.

Early Kangxi, circa 1680.

Wood stand.

Chinese famille verte, sancai, biscuit porcelain joss-stick holder modelled in the form of Budai seated beside a child holding a necklace above his raised right knee, their faces and his protruding stomach covered in a clear glaze all on a rug form base, the underside unglazed.

3 inches, 7.5 cm high.

Kangxi, 1662-1722.

Chinese imperial porcelain blue and white bottle vase, shang ping, painted in the Ming style with heaped and piled effect, with globular rounded body and four wide relief ribs, tall cylindrical flared neck and slightly splayed foot, painted on the body with six different large flowerheads on a continuous scrolling branch beneath six smaller flowerheads each with its characteristic leaves, including lotus, peony, chrysanthemum and camellia, above a wide band of blue wash ground lappets and beneath bands of ruyi-heads and different flowers on a scrolling branch at the shoulder, the neck with tall leaves above a keyfret band, beneath a further ruyi-head band with a crested wave band beneath the rim, the splayed foot with a scrolling branch.

The base with a six-character sealmark of Qianlong in underglaze blue and of the period, 1736-1795.

14 ⅞ inches, 37.8 cm high.