Asian Art at Marchant
Marchant was founded in 1925 by Samuel Sidney Marchant (1897-1975). Our specialties are Imperial Chinese Ming and Qing porcelains, jades, cloisonné, pottery and works of art. Emphasis is placed on rarity, quality, condition and provenance.



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Blanc de Chine 2024
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Take a journey through Marchant's history. With over 95 years’ experience in the art world, from historic company moments, to notable events in the art world and lots more.
Timeline & HistoryPorcelain & Works of Art
17 - M5247/8
Pair of Chinese imperial porcelain famille rose enamelled conical flower-form bowls and covers, gai wan, with six petals, painted with pairs of sky-blue and turquoise enamelled five-clawed dragons with open mouths in pursuit of yellow and iron-red flaming pearls amongst ruyi-clouds and flames above crested and foaming waves, repeated on the rims of the covers.
Each base with a six-character mark of Yongzheng within a double ring in underglaze blue and of the period, 1723-1735.
The bowls 7 ¾ inches, 19.7 cm diameter, the covers 8 inches, 20.3 cm diameter.
M4566/NF2
£58,000Chinese imperial porcelain yellow ground saucer dish incised in the centre and painted with a green and aubergine five-clawed dragon in pursuit of a flaming pearl amongst stylised flames, within a double aubergine ring, the underside decorated with grapes and leaves also on a yellow ground extending to the base.
5 1/4 inches, 13.3 cm diameter.
The base with a six-character mark of Qianlong within a double ring and of the period, 1736-1795.
25 - M4743
Chinese imperial porcelain blue and white vase of zun form, painted in the Ming style with heaped and piled effect, the body with two wide bands, the lower register with six different large flowerheads and twelve smaller flowerheads, all on continuous scrolling branches with their characteristic leaves, including peony, lily, rose, poppy, pink, camellia and mallow, beneath a band with six large lotus flowerheads on a continuous scrolling leafy branch with smaller flowerheads, all between six relief ribs above a wide band of swirling crested waves and a further rib above lappets on the splayed foot, all between two high relief taotie animal mask and ring handles, the neck with formal archaic style leaves, beneath a further crested wave band at the rim.
The base with a six-character sealmark of Qianlong in underglaze blue and of the period, 1736-1795.
9 ⅞ inches, 25.2 cm high.











