Asian Art at Marchant
Marchant was founded in 1925 by Samuel Sidney Marchant (1897-1975). Our specialties are Imperial Chinese Ming and Qing porcelains, jades, cloisonné, pottery and works of art. Emphasis is placed on rarity, quality, condition and provenance.



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Take a journey through Marchant's history. With over 95 years’ experience in the art world, from historic company moments, to notable events in the art world and lots more.
Timeline & HistoryPorcelain & Works of Art
29 - M4941
Chinese imperial porcelain lemon-yellow ground underglaze blue decorated deep stem bowl, gao zu bei, with gently flared lipped rim and ribbed splayed foot, painted on the exterior with three fruiting branches of peach, pomegranate and finger citron, sanduo, all above lingzhi dispersed between panels of flowering camellia branches each with a bud above lingzhi, the splayed foot with crested waves. The well of the interior with a fruiting peach branch above lingzhi within two underglaze blue lines beneath a band of crested and swirling waves and prunus flowerheads all on a lemon-yellow ground.
The inside of the foot rim with a six-character sealmark of Qianlong in underglaze blue written in a line and of the period, 1736-1795.
7 1/16 inches, 18 cm diameter.
15. M5305
£3,200Chinese famille verte biscuit porcelain joss-stick holder or water-dropper in the form of a standing boy holding a lingzhi branch to his right shoulder dressed in a green jacket and yellow skirt, his hair heightened in aubergine with clear glaze head, chest, arms and feet, all on a raised biscuit lotus-form stand.
5 ¾ inches, 14.6 cm high.
Kangxi, 1662-1722.
26 - M4491/2
Pair of Chinese imperial porcelain lavender-glazed altar vessels and covers, dou, each modelled after an archaic bronze with moulded and carved archaic designs, the upright body with ribs and bands all on a splayed, ribbed foot, the cover with a design of scrolls, fretwork and two registers of stylised waves beneath a double-rope twist openwork finial, covered overall including the interior and underside in a luminous, rich and even lavender glaze, all the rims dressed in brown in veneration of the archaic prototype.
The interior of the cover and the underside of the base of each with a six-character sealmark of Qianlong and of the period, 1736-1795.
9 ¾ inches, 24.8 cm and 9 ⅞ inches, 25.1 cm high.











