Asian Art at Marchant

Japanese porcelain pale celadon glazed pinched ‘lotus’ flower vase of slender beaker form, with double pinched foliate rim, covered overall on the base and interior in an even pale celadon glaze, slightly thinning at the rim, the flat unglazed foot rim revealing the white biscuit body.

11 5/8 inches, 29.5 cm high.

Kawase Shinobu, 1990.

Wood box, described as ‘celadon flower vase’, signed and with artist’s seal, Shinobu, on the interior of the cover.

Chinese imperial porcelain blue and white slender necked baluster vase, of handbell form, yaoling zun, painted on the body with four circular medallions consisting of three bands forming the gankyil, “Wheel of Joy”, above stylised upright pointed leaves with scrolls and a wide herringbone band at the gently flared foot, the shoulder with a single rib within two lines.

The base with a six-character mark of Kangxi within a double ring in underglaze blue and of the period, 1662-1722.

8 inches, 20.4 cm high.

Chinese porcelain ko-akai, wucai, dish of flower form, with foliate rim, painted with a scholar and his attendant crossing  a bridge in a river landscape scene, the scholar carrying a staff while the attendant carries a wrapped qin, all beneath iron-red clouds and the sun with an overhanging flowering tree, heightened in green, yellow, aubergine and iron-red enamels with underglaze blue, all beneath a brown-dressed rim.

The base with a four-character mark fu tian xia taiping, ‘happiness and universal peace’, within a double square and a single ring in underglaze blue, the base also with chatter marks within the unglazed foot.

21cm diameter

Tianqi to Chongzhen, Circa 1629