Asian Art at Marchant

A Chinese famille verte, sancai biscuit model of a reclining figure of Li Bai leaning on his wine jar, his yellow dappled robes covering his hands under his sleeves and chin with his crossed over legs revealing his green dappled pantaloons, the wine jar also covered in a green glaze with dark glaze to his beard, hair, eyes, eyebrows and shoes, the unglazed flat base revealing the biscuit body.

6 ½ inches, 16.5 cm long.

Kangxi, circa 1680.

Japanese porcelain celadon grey crackle glazed petal-shaped dish, covered overall on the base and interior with a Ge-type celadon grey crackled glaze, all on a short foot rim revealing the biscuit body.

7 ¾ inches, 19.8 cm diameter.

Kawase Shinobu, 1970-1976.

Wood box, signed and with artist’s seal, Shinobu, on the interior of the cover and the yellow cloth.

Chinese imperial porcelain blue and white vase of zun form, painted in the Ming style with heaped and piled effect, the body with two wide bands, the lower register with six different large flowerheads and twelve smaller flowerheads, all on continuous scrolling branches with their characteristic leaves, including peony, lily, rose, poppy, pink, camellia and mallow, beneath a band with six large lotus flowerheads on a continuous scrolling leafy branch with smaller flowerheads, all between six relief ribs above a wide band of swirling crested waves and a further rib above lappets on the splayed foot, all between two high relief taotie animal mask and ring handles, the neck with formal archaic style leaves, beneath a further crested wave band at the rim.

The base with a six-character sealmark of Qianlong in underglaze blue and of the period, 1736-1795.

9 ⅞ inches, 25.2 cm high.