Monochromes

From the Greek monokhromos, mono – one, khromos – colour, Chinese monochrome porcelain is considered to be one of the ceramic world’s great achievements.

Chinese monochrome porcelain is said to have its roots in the Song dynasty (960 – 1279). At the turn of the first millennium, China was the world’s most advanced civilisation and this epoch is known for the invention of movable type printing, bank notes, gunpowder, the compass and even the concept of the restaurant.

Early Chinese monochromes were black and white but very quickly, competition emerged. Kilns vied with each other to see who could make the most exquisite pieces of monochrome Chinese porcelain. In the Song dynasty, the emergence of Ge ware, Guan ware, Ru ware and Jun ware enabled a new burst of colour to appear within the ceramic production.

As the Song dynasty made way for the Yuan, dramatic advancements in the production of Chinese monochrome vases and indeed all forms of Chinese monochromes were developed.

While the production of monochrome Chinese porcelain continued throughout the Yuan dynasty, the Ming dynasty was when new glazing techniques were established. In the Ming dynasty, the most popular monochrome colours used by the imperial court were yellow, red and blue.

When the Qing dynasty arrived, monochromes were very much loved by the emperor and the court. New innovations within the Qing dynasty saw the arrival of new glazes such as peachbloom, teadust, robin’s egg, celadon and lavender, with Song-inspired glazes re-emerging such as Ge, Guan and Ru ware. Further development of enamelled glazes produced remarkable colours not seen before, such as pink, ruby, lemon-yellow, pale turquoise and lime-green.

Available Pieces
  • M4703

    £POA

    Chinese imperial porcelain celadon glazed deep bowl with flared rim, carved on the exterior with six camellia flowers on a continuous scrolling branch with leaves, covered overall and extending on the interior and base with a luminous celadon glaze.

  • M4948

    £POA

    Chinese porcelain pink enamel deep bowl thinly potted with upright straight sides and tall foot rim, covered on the exterior with a brilliant deep pink enamel glaze, the interior and base white.

  • M5791

    £68,000

    Chinese porcelain imperial bowl with deep rounded sides rising from a short straight foot, covered overall in an even blue glaze, the base with a six-character mark of Kangxi within a double-ring in underglaze blue and of the period.

  • The Marchant Guarantee

    We take pride in all of the items that we list on our website. We guarantee the authenticity of all our products as described and you can also rest assured that prices on our website include packing, collection, shipping, delivery and insurance on orders over GBP £10,000 (applicable state, city or local import taxes or duties excluded).

  • R1415

    £POA

    Chinese porcelain stem bowl, covered over all with an eel-skin glaze, finely potted with shallow sides rising to an everted rim, resting on a splayed foot beneath a raised rib, the underside of the foot carved with a three-character mark of Zhi ben tang.

  • S2519

    £POA

    A fine and rare Chinese imperial porcelain brown-glazed dish with foliate rim on a splayed foot, the underside with a central double rib, covered overall in a rich and even bright coffee-brown glaze.

  • M5462

    £38,500

    Chinese junyao glazed tea bowl, thinly potted with upright sides, covered overall on the interior and exterior in a bright lavender glaze, thinning at the rim and extending to the foot revealing the fine biscuit body.

  • 1. M5340

    £18,500

    Chinese biscuit porcelain aubergine-glazed teapot and cover of bamboo form with fluted naturalistic body, handle and spout, the cover with an openwork bamboo branch-form handle, the flat base unglazed.

  • 2. M5339

    £18,500

    Chinese biscuit porcelain apple-green glazed teapot and cover of bamboo form with fluted naturalistic body, handle and spout, the cover with an openwork bamboo branch form handle, the flat base unglazed.

  • 11. M5358

    £2,500

    Chinese turquoise glazed biscuit porcelain joss stick holder modelled as a seated Budai, his right hand holding a bead necklace on his raised knee while his left hand holds a treasure sack, covered overall in a rich even turquoise glaze pooling at the edges.

  • 12. M5361

    £4,500

    Pair of Chinese biscuit porcelain turquoise-glazed brushwashers, each in the form of Budai with their outstretched arms encircling the aperture, covered in a rich turquoise glaze, the base unglazed.

  • 13. M5362

    £3,200

    Chinese biscuit porcelain turquoise glazed water-dropper in the form of a seated monkey holding a gourd, his body carved with hairwork and sitting on a rockwork base.

  • 14. M5359

    £3,800

    Chinese biscuit porcelain turquoise and aubergine glazed water-dropper in the form of a Mandarin duck beside a large lotus leaf with the veins in relief, the dropper in the form of a stalk, the duck with carved wings and tail feathers.

  • 19. M5364

    £1,800

    Chinese turquoise glazed biscuit porcelain water-dropper in the form of a fish above waves, with naturalistic scales and raised tail, covered in a bright turquoise glaze.

  • 23. M5356

    £3,200

    Chinese turquoise glazed biscuit porcelain joss-stick holder in the form of the He He Erxian, both seated and smiling with their arms around each other, one holding a box, the other a floral branch and exposing their corpulent bellies protruding from their robes, above a singular circular joss-stick holder, with unglazed base.

  • 29. M4751

    £9,500

    Chinese ceramic green glazed monochrome pillow, zhen, of ruyi-head form, incised on the gently concave top with outlines following the form, with further incised lines beneath the sloping shoulder, the fluted body covered overall in a rich and even deep apple green glaze, the flat predominantly unglazed base revealing the buff-coloured body, with an air hole from the firing beneath the ruyi-head point.

  • 31. R1075

    £28,000

    Chinese ceramic Ding ware cream glazed dish, pan, with flat base, short inverted foot and gently rounded sides, carved with a single lotus flower spray on a branch with leaves fitting neatly in the well with an incised outline, the flower and leaves with double and single outlines creating a three-dimensional effect, covered overall in a pale cream glaze gently pooling above the foot and creating a tear mark, the rim bound in copper.

  • 37. M5212

    £POA

    Chinese ceramic Jun ware lotus-bud form waterpot, jixin’guan, covered overall with a rich and even lustrous lavender sky-blue glaze, extending overall to the interior and the base thinning towards the light brown rim, all on a slightly splayed short unglazed brown knife-cut foot rim.

  • M5120

    £35,000

    Chinese imperial porcelain yellow glazed bowl of deep form thinly potted with gently flared rim, covered overall in a rich and even yellow glaze.

Further information on Monochromes

Chinese monochromes took a starring role in state ceremonies because traditional Chinese beliefs assumed that ritual vessels must be Chinese monochromes of glazed porcelain of particular colours, representative of four temples in Beijing and the gods they represented:

Blue Chinese monochrome porcelain – Altar of Heaven (tiantan)

Yellow Chinese monochrome porcelain – Altar of the Earth (ditan)

White Chinese monochrome porcelain – Altar of the Moon (yuetan)

Red Chinese monochrome porcelain – Altar of the Sun (ritan)

The reign of Kangxi at the start of the Qing dynasty was when the techniques of Chinese monochromes began to mature.

The beauty of Chinese monochrome vases, indeed all Chinese monochrome porcelain was in the technical accomplishment, the finesse of the colours and the quality of the glaze. It’s testament to the processes developed to produce monochrome Chinese porcelain that the colours have remained as spectacular as they were the day they were fired.

Arguably the most famous of all the colours, not just of Chinese monochrome porcelain but of all Chinese porcelain, blue is almost infinitely varied and the cobalt used came from as far away as modern-day Iran – from the most pale clair de lune to the deepest shades known as Mazarine blue.

You should also check

Kawase Shinobu - Master of Celadon, a retrospective

The exhibition features 52 pieces by the ‘Master of Celadon’, Kawase Shinobu. 20th June – 15th July 2022.

Kangxi Biscuit and Pottery: A Private French Collection

23rd October – 3rd November 2023. 40-piece exhibition of Kangxi and 17th century wares from one private collection.

Kosometsuke & Shonzui 2024

Assembled over almost 25 years, the kosometsuke exhibition includes a diverse selection of blue and white wares, including rare dishes, imaginative vessels, and captivating scenes on tea ceremony pieces. 50 piece exhibition, November 2024

Privacy Overview
Marchant Asian Art

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

If you disable this cookie, we will not be able to save your preferences. This means that every time you visit this website you will need to enable or disable cookies again.

3rd Party Cookies

This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages.

Keeping this cookie enabled helps us to improve our website.