Ming & Earlier

Perhaps the most well-known of all Chinese ceramics, Ming dynasty porcelain benefitted from China’s return to Han Chinese rule in 1368 after 97 years of the foreign Mongol-led Yuan dynasty. As the internecine struggles abated, Ming pottery flourished in the world-famous ‘porcelain town’ of Jingdezhen and beyond.

Out were the old tastes of Song dynasty monochromes and in were the new appetite for Ming dynasty blue and white porcelain. Not without coincidence, the desire for Ming dynasty ceramics was exacerbated both by China’s economic upturn in the fifteenth century as it shifted towards a market economy and at the same time the European renaissance led to thousands of pieces of spectacular Ming porcelain making their way from China to become prized possessions in Europe’s royal palaces and stately homes.

As Ming dynasty porcelain continued its journey of refinement, there were significant innovations that became benchmarks in the rich and detailed history of Ming pottery including jihong under the Xuande emperor (a blood-red glaze of which it is believed there are fewer than 100 remaining examples in museums), doucai (contending colours) under Chenghua, jiaohuang (yellow glaze) under Hongzhi and wucai (five colour) under Wanli. It was also during the reign of Wanli (1572 – 1620) that production techniques, including mixing kaolin clay and pottery stone in equal proportions enhanced the whiteness of the vessel body, enhancing Ming dynasty blue and white porcelain.

Available Pieces
  • 23. M2170

    £9,500

    Chinese porcelain blue and white sweetmeat dish, mukozuke, in the form of a recumbent buffalo, the details picked out in lines, blue wash and splashed on both sides with fukizumi, the underside moulded with the head and tail outlined, all on three short feet.

  • 24. M2239/40

    £16,000

    Two Chinese porcelain blue and white sweetmeat dishes, mukozuke, each in the form of a recumbent horse on four short round feet, the details painted in outline and blue wash, the underside moulded and outlined to reveal the features, mane and tail.

  • 25. M4424

    £6,500

    Chinese porcelain blue and white sweetmeat dish, mukozuke, in the form of a reclining Buddhist lion on four feet, with detailed hairwork to the tail, eyebrows and beard, painted in lines and wash, the underside moulded to reveal the features of the lion.

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  • 26. M4415

    £8,500

    Chinese porcelain blue and white sweetmeat dish, mukozuke, in the form of a shell on three short circular feet, painted with a large shrimp amongst aquatic plants with lobed and ribbed shell end, heightened on both sides with fukizumi.

  • 29. M4897

    £6,500

    Chinese porcelain blue and white sweetmeat dish, mukozuke, of biwa or lute form on three feet, painted with the three-strings dividing a prunus spray and a bamboo spray beneath insects and flight, the underside glazed white.

  • 32. M3509

    £11,500

    Chinese porcelain blue and white large deep dish, painted in the centre with a substantial hill-side rock and the roof of a house on the top amongst trees in a lake scene with a man seated on a rocky promontory all beneath the moon, the border with reserves with stylised branches on a keyfret and striped ground, the underside with four stylised pearls.

  • 33. M3485

    £14,500

    Chinese porcelain blue and white large saucer dish painted in the centre with a seated scholar leaning on a rockwork table, looking out at a waterfall emerging from the rocks and causing ripples on the river, all in a landscape scene with overhanging rockwork and plants beneath a cloud bank and birds in flight, all within a single line, the reverse with two birds perched amongst branches between double lines, the base glazed white.

  • 34. M4595

    £8,500

    Chinese porcelain blue and white ‘snowflake’ form deep bowl, with wide flat everted octagonal foliate rim with horseshoe indentations, painted in the centre with a flower head on a leafy branch encircled by a ribbon-tied lozenge, ribbon-tied music stones and two pairs of crossed hu tablets amongst leaves, all within a double ring, the flat wide everted rim painted with two swallows in flight between long branches with flower and leaves, all within a blue-washed border, the underside with two pairs of lozenges and pearls.

  • 35. M4292

    £11,500

    Chinese porcelain blue and white saucer dish painted with two large shrimp beside an eight-character poem, ‘qian yu Cangming, fu ruo long xing', ‘hides in the Cangming river, with a form like the shape of a dragon,’ the cavetto moulded with anhua waves, flowers and ruyi-heads, the underside painted with underglaze blue waves, the base with a six-character mark of Xuande within a double ring.

  • 36. M4408

    £8,500

    Chinese porcelain blue and white food bowl with irregular foliate rim, painted on the well of the interior with a scholar and attendant standing on a rocky promontory in a river landscape scene, all within a double ring, the deep cavetto with three insects in flight between three prunus flower heads, all beneath a blue-washed rim, the exterior with a butterfly, two insects and two prunus flowers, all on three short bracket feet.

  • 37. M3502

    £38,000

    Chinese porcelain blue and white summer mizusashi, water container, painted on the interior with two buffalo amongst clumps of grass beneath ruyi-clouds and mountains in the distance, all within a double ring, the exterior with a single rib and stripes imitating a barrel, the foot rim and base unglazed revealing the biscuit body.

  • 40. M4416

    £11,500

    Chinese porcelain blue and white large circular deep dish with flat everted rim, painted in the centre with a circular fruit within a six-pointed flower head, encircled by anhua flower heads on a scrolling branch with leaves, within a flower head band and a double ring, the rim with eight blue-ground Yamamoto family mon roundels, eight hexagonal flower head medallions and eight stylised flowers above a triangular diaper in the cavetto, all within a pale blue-washed rim, the exterior with nine flower heads, the flat base unglazed revealing the biscuit body.

  • 41. M4406

    £11,500

    Chinese porcelain blue and white hexagonal deep dish with upright sides painted with a rooster standing on a rocky promontory crowing at the rising sun, beside flower sprays and insects in flight, with cloud banks and mountain peaks in the distance, all within a single blue line and beneath a blue-washed band on the rim, the flat base unglazed.

  • 42. M4704

    £14,500

    Chinese porcelain blue and white hexagonal lobed deep dish painted in the centre with a pair of birds, one perched on a flowering peony branch, the other with open wings standing amongst rockwork looking up at its mate, amongst grasses and blue-washed flower sprays encircled by a wide hexagonal cash diaper with six flower heads of lotus, poppy, chrysanthemum, peony, pomegranate flower and tree peony, all beneath the upright brown-dressed rim.

  • 44. M4404

    £14,500

    Chinese porcelain blue and white deep saucer dish of shonzui style with fluted body, hariki petal-shape needle-point rim, painted on a blue ground with two phoenix birds, one standing beside a tree with peony blossom, rockwork, fruiting lingzhi and three precious objects, the other phoenix behind the rock looking back at its mate, encircled by six ruyi-head lappets of aster, camellia and magnolia, all beneath a brown-dressed rim, the underside with a continuous branch of morning glory flowers and buds, the base with a six-character mark of Chenghua within a double ring.

  • 49. M4904

    £12,500

    Chinese porcelain blue and white shonzui-type faceted decagonal bottle vase of double-gourd form, tokuri, with each facet fluted and ribbed and painted with geometric designs including interlocking keyfret, scrolls, wan-characters, interlaced cash, plum blossom flowers on hexagonal blue ground, weave-pattern, ‘chess-board’, diamonds and flowerhead diaper, between a keyfret band at a narrow waist, the flat unglazed base with short foot rim revealing the fine white biscuit body, the rim slightly reduced with old metalwork fitting.

  • M4472

    £3,850

    Chinese porcelain blue and white kosometsuke deep plate with everted rim, painted in the centre in vivid blue tones with a fisherman standing at the stern with the rectangular sail open, with rock work in the foreground and a two-tiered pagoda in the distance beneath the moon, with an unusual lappet border in the form of a flower, the underside with sprays of branches.

  • M4525

    £18,500

    Chinese pottery sancai and blue glazed pillow or wrist rest, carved on the curved top with two ducks facing each other and resting on large lotus flower heads between ruyi and amongst other plants, on a rich lapis blue ground, the four sides with chestnut and white splashes extending on three sides to the foot, the base unglazed, revealing the biscuit body.

Further information on Ming & Earlier

Early Ming dynasty ceramics took inspiration from the intricate but busy Islamic styles of the outgoing Yuan Mongols but it wasn’t long before the Han started to exert their own influences on design. From the 15th century onwards, Ming porcelain decoration became more subtle and restrained but as demand grew from Japan and Europe, it once again became more elaborate. It was one of China’s major exports and was often exchanged for Spanish silver. By the sixteenth century, Ming dynasty porcelain included vibrant colours such as blues, reds, greens and yellows.

By the late sixteenth and early seventeenth centuries, it was becoming increasingly common for producers of Ming pottery and Ming porcelain to add imperial reign dates to their wares and there started a trend for artists to sign their wares. A signature on a Ming vase of one of the most highly respected Ming dynasty porcelain artists could dramatically affect its price, such was the reputation of some of the artisan craftsmen of the era, not unlike the European painters of the day.

You should also check

Monochromes

Objects of single-colour.

Doucai

Doucai ceramics, where parts of the design and some outlines, are painted in underglaze blue, the piece is then enamelled, glazed and fired.

Japanese & Korean

Japanese and Korean ceramics.

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