Tang

Two Chinese standing unglazed pottery figures, one of a warrior with an open jacket holding a shield, the other of a civil officer wearing an official hat with his hand clasped beneath his long flowing robes, tied in a bow at the collar, each with finely detailed facial features, the robes with original terracotta colour, white and black pigment, with wood stand.

A pair of Chinese pottery large unglazed models of equestrian archers, one with his right arm raised to hold the bow and his left arm pulled towards his chest to hold the arrow, the other with his left arm raised to hold the bow and his right arm pulled towards his chest to hold the arrow, each seated on a painted animal skin saddlecloth, one with black dots on a white ground, the other with white dots on a black ground, the horses with open mouths, pricked ears and trimmed manes, each archer with expressive and concentrated facial details with a long beard and moustache, all with original pigmentation in terracotta colour, white, black, pink, all on a rectangular base.

Chinese pottery sancai and blue glazed pillow or wrist rest, carved on the curved top with two ducks facing each other and resting on large lotus flower heads between ruyi and amongst other plants, on a rich lapis blue ground, the four sides with chestnut and white splashes extending on three sides to the foot, the base unglazed, revealing the biscuit body.

Chinese pottery sancai, three-colour glazed miniature circular box and cover, he, with gently domed cover, straight sides with a curved foot and flat base, the glaze evenly splashed falling short at the foot rim revealing the unglazed buff-coloured body.

Large Chinese sancai, three-colour glazed pottery standing figure of a West Asian civil official, his hands clasped at the front, wearing long flowing robes with three-colour splashed breast plate and cuffs, rich chestnut jacket, upright collar and shoes, with white glazed skirt having traces of oxidisation and splashed raised rockwork form openwork base, the detailed face and official hat unglazed with traces of original pink and black pigment.

Chinese pottery sancai, three-colour glazed circular cosmetic box and cover, he, with gently domed cover, flat sides and curved base, the unglazed base revealing the buff-coloured body, the interior of the box base with traces of clear glaze turning iridescent.

Chinese pottery two-colour globular pouring vessel, hu, with broad rounded body, short neck, flared rim and hexagonal spout on a gently everted foot and recessed base, covered overall in a rich and lustrous green and white splashed glaze extending on the interior of the rim with a clear glaze in the well, falling short of the foot and base revealing the buff-coloured body, the shoulder with a ribbed and raised band, the rim with a further ridge.

Chinese sancai, three-colour glazed jar of ovoid form with gently flaring rim, painted on the shoulder with five petals in green, cream and chestnut glaze and incised with three concentric bands, dripping down towards the unglazed buff-coloured smooth unglaze pottery body, the flat base unglazed.

Chinese sancai, three-colour glazed pottery equestrian group, with Central Asian male rider modelled with his hands raised to hold the reins, wearing a green glazed long jacket with chestnut lapels, his face unglazed and heightened in black, white and red pigment, with detailed paint to his hair and Phrygian cap, fu tou, also in black tied at the back, the piebald horse standing with the head turned to the left with ears pricked and green splashes on a cream ground with three-colour saddle cloth and chestnut hoofs, the base unglazed.

A Chinese sancai (three colour) small pottery model of a standing cockerel the head looking forwards, covered with splashed green, chestnut and straw glaze, falling short of the lower section and revealing the buff pottery.