中國出口日本瓷器

几个世纪以来,景德镇的窑口生产了大量供宫廷使用的瓷器,而到了明代晚期,1620年万历皇帝驾崩后,宫廷资助的匮乏令窑主们不得不探索新市场,开始为日本市场烧制瓷器。

“古”即古老,“染付”意为青花,生产于1620至1645年间烧制的中国出口日本瓷器被称为古染付,彼时茶道的时兴导致茶具的需求量增大。古染付即为迎合日式品味和美感而烧制的瓷器。

古染付因为烧制于1621-1528年的明代天启年间,也被日本人称为天启瓷,由于其在中国陶瓷史上的独特性,不仅受中国瓷器藏家的青睐,也令日式传统青花瓷茶具爱好者着迷。

古染付的烧制工艺和纹样与传统中式陶瓷不同。古染付瓷会刻意使用疏于淘洗的陶土,制坯粗糙且器型不完美,这些恰恰是吸引日本人的特点。容器边缘的釉面时常从胎体剥落,被称为mushikui(虫喰い),即“虫咬痕”,深受青睐。

商品
  • 26. M4415

    26. M4415

    £8,500

    螺形向付

  • 33. M3485

    33. M3485

    £14,500

    高仕观瀑图纹盘

  • 34. M4595

    34. M4595

    £8,500

    雪轮形盘

  • Marchant担保

    我们对本网站上的所有器物都很重视与自豪。我们保证我们出售的所有商品都符合客观描述以及保证为真品。 网站上的价格均已包含至大多数城市的包装、取货、运输、送货和保险费用尤其对于价格超过10,000英镑的物品(不包含个别国家、州、城市或当地征收的进口税或其他税费)。

  • 36. M4408

    36. M4408

    £8,500

    花形碗

  • 37. M3502

    37. M3502

    £38,000

    花形碗

  • 40. M4416

    40. M4416

    £11,500

    花卉纹折沿盘

  • 41. M4406

    41. M4406

    £11,500

    鸡鸣图六方盘

  • 42. M4704

    42. M4704

    £14,500

    花鸟图纹六角形盘

  • 44. M4404

    44. M4404

    £14,500

    祥瑞凤凰图花口纹盘

  • 49. M4904

    49. M4904

    £12,500

    祥瑞八角葫芦形德利

  • M4472

    M4472

    £3,850

    青花捕魚圖盤

  • M5625

    M5625

    £5,850

    五彩花鸟纹碟

  • M5633

    M5633

    £6,850

    青花八角盘

  • M5511

    M5511

    £3,850

    古赤繪幾何花卉紋方盤

  • M5516

    M5516

    £4,250

    青花兔紋碟

  • M5382

    M5382

    £3,850

    Japanese porcelain sake bottle, tokuri, with a celadon lavender crackled glaze, the body of fruit form, the indented underside forming three naturalistic feet, with slender neck and slightly everted rim in brown revealing the body. 4 ½ inches, 11.5 cm high. Kawase Shinobu, 2017. Wood box, described as ‘celadon tokuri’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth, with the seal, ki-hen-syo-chu.

  • M4738

    M4738

    £42,000

    五彩四层盖盒

  • M4835/6

    M4835/6

    £18,000

    青花竹叶纹八角折沿碗一对

Further information on 中國出口日本瓷器

This somewhat unique Chinese porcelain for the Japanese market was delightfully eccentric and displayed a refreshingly spontaneous, almost nonchalant style in comparison with traditional Chinese porcelain. Designs included landscapes, birds, flowers, animal and human representations and the ko-sometsuke vessels ranged from the classic to the asymmetrical to the humorous and downright odd.

While the Jingdezhen potters were turning their collective hands to the production of ko-sometsuke, or old blue and white porcelain, the 45-year period of its manufacture was both representative of their ability to adapt but also a high point of the cultural interactions between Japan and China during that time.

您也可以关注

釉里红

以氧化铜为着色剂的釉里红瓷

斗彩

明代及早期器物

明代、宋代及其他朝代器物

Privacy Overview
Marchant Asian Art

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

Analytics

This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages.

Keeping this cookie enabled helps us to improve our website.