中國出口日本瓷器

几个世纪以来,景德镇的窑口生产了大量供宫廷使用的瓷器,而到了明代晚期,1620年万历皇帝驾崩后,宫廷资助的匮乏令窑主们不得不探索新市场,开始为日本市场烧制瓷器。

“古”即古老,“染付”意为青花,生产于1620至1645年间烧制的中国出口日本瓷器被称为古染付,彼时茶道的时兴导致茶具的需求量增大。古染付即为迎合日式品味和美感而烧制的瓷器。

古染付因为烧制于1621-1528年的明代天启年间,也被日本人称为天启瓷,由于其在中国陶瓷史上的独特性,不仅受中国瓷器藏家的青睐,也令日式传统青花瓷茶具爱好者着迷。

古染付的烧制工艺和纹样与传统中式陶瓷不同。古染付瓷会刻意使用疏于淘洗的陶土,制坯粗糙且器型不完美,这些恰恰是吸引日本人的特点。容器边缘的釉面时常从胎体剥落,被称为mushikui(虫喰い),即“虫咬痕”,深受青睐。

商品
  • M5633

    M5633

    £6,850

    青花八角盘

  • M5511

    M5511

    £3,850

    古赤繪幾何花卉紋方盤

  • M5516

    M5516

    £4,250

    青花兔紋碟

  • Marchant担保

    我们对本网站上的所有器物都很重视与自豪。我们保证我们出售的所有商品都符合客观描述以及保证为真品。 网站上的价格均已包含至大多数城市的包装、取货、运输、送货和保险费用尤其对于价格超过10,000英镑的物品(不包含个别国家、州、城市或当地征收的进口税或其他税费)。

  • M5382

    M5382

    £3,850

    Japanese porcelain sake bottle, tokuri, with a celadon lavender crackled glaze, the body of fruit form, the indented underside forming three naturalistic feet, with slender neck and slightly everted rim in brown revealing the body. 4 ½ inches, 11.5 cm high. Kawase Shinobu, 2017. Wood box, described as ‘celadon tokuri’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth, with the seal, ki-hen-syo-chu.

  • M4738

    M4738

    £42,000

    五彩四层盖盒

  • M1373

    M1373

    £10,500

    青花三足炉

  • S1720

    S1720

    £6,000

    青花叶形碟

  • M2509

    M2509

    £12,000

    青花寿老仙人图盘

  • S2323

    S2323

    £4,500

    青花八角碗

  • M4835/6

    M4835/6

    £18,000

    青花竹叶纹八角折沿碗一对

  • S1742

    S1742

    £12,500

    青花花口盘

  • S1384

    S1384

    £5,500

    青花小熏炉

  • S2012

    S2012

    £9,500

    古染付桃形水丞

Further information on 中國出口日本瓷器

This somewhat unique Chinese porcelain for the Japanese market was delightfully eccentric and displayed a refreshingly spontaneous, almost nonchalant style in comparison with traditional Chinese porcelain. Designs included landscapes, birds, flowers, animal and human representations and the ko-sometsuke vessels ranged from the classic to the asymmetrical to the humorous and downright odd.

While the Jingdezhen potters were turning their collective hands to the production of ko-sometsuke, or old blue and white porcelain, the 45-year period of its manufacture was both representative of their ability to adapt but also a high point of the cultural interactions between Japan and China during that time.

您也可以关注

德化白瓷

明代和清代生产于福建德化的白瓷

辽代陶瓷

辽代器物

青花

青花瓷器

Privacy Overview
Marchant Asian Art

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.

Strictly Necessary Cookies

Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings.

Analytics

This website uses Google Analytics to collect anonymous information such as the number of visitors to the site, and the most popular pages.

Keeping this cookie enabled helps us to improve our website.