明代及早期器物

明代瓷器可以说是中国陶瓷最有名的一种,在蒙古人统治的长达97年的元朝结束后,1368年明朝开始,中国回归了汉族人的统治。内战逐渐平息后,在世界文明的“瓷器之都”景德镇,明代陶瓷发展得蒸蒸日上。

符合宋代审美的单色瓷逐渐过时,青花瓷器在明代颇受欢迎。十五世纪的中国开始开放贸易后国内经济好转,同时欧洲正逢文艺复兴时期,成千上万的明代瓷器从中国来到西方,被宫廷和庄园主收藏,因而这个时期对明代瓷器的需求量急剧增长。

明代瓷器越发精致的同时,也产生了日后成为明瓷代表的创新装饰,比如宣德时期的祭红釉(近似血色的红釉,在各大博物馆的藏品一共不超过百件)、成化时期的斗彩、弘治的娇黄釉和万历五彩。万历时期(1572-1620)烧制技术有了提升,通过将高岭土和瓷石等比混合使瓷胎更白,从而令明青花之美更上一个台阶。

商品
  • M5426

    M5426

    £15,000

    古染付佛狮香炉

  • M5291

    M5291

    £2,250

    克拉克青花花鸟图盘

  • M5295

    M5295

    £2,250

    克拉克青花飞黄腾达图盘

  • Marchant担保

    我们对本网站上的所有器物都很重视与自豪。我们保证我们出售的所有商品都符合客观描述以及保证为真品。 网站上的价格均已包含至大多数城市的包装、取货、运输、送货和保险费用尤其对于价格超过10,000英镑的物品(不包含个别国家、州、城市或当地征收的进口税或其他税费)。

  • R1347

    R1347

    £9,850

    青花釉里红花卉纹小碗

  • R1340

    R1340

    £8,500

    青花鏤雕盌

  • 24. M4752

    24. M4752

    £25,000

    三彩银锭式印花鱼纹枕

  • 25. M4750

    25. M4750

    £48,000

    三彩印花枕

  • 27. M4754

    27. M4754

    £48,000

    磁州窑白地剔花填黑诗文枕

  • 29. M4751

    29. M4751

    £9,500

    绿釉如意云头形枕

  • 30. M4747

    30. M4747

    £35,000

    定窑白釉鹿纹枕

  • 31. R1075

    31. R1075

    £28,000

    定窑划花盘

  • 37. M5212

    37. M5212

    £POA

    钧窑天蓝釉鸡心罐

  • M4241

    M4241

    £18,000

    青花龙凤纹大碗

  • M4738

    M4738

    £42,000

    五彩四层盖盒

  • M4942

    M4942

    £22,500

    Pair of Chinese celadon glazed small vases and covers of guan form, each carved with flowerheads on a continuous scrolling branch amongst leaves above a wide lappet band with upright leaves and further flowerheads and scrolls on the shoulder, and beneath a triangular band on the gently flared neck, the covers with central raised flowerhead, again above a scrolling flowerhead band, the base glazed, the unglazed foot rim, rim and underside of the cover revealing the biscuit body.

  • M1373

    M1373

    £10,500

    青花三足炉

  • M4880

    M4880

    £1,500

    克拉克瓷青花花鸟纹小碟

  • S1720

    S1720

    £6,000

    青花叶形碟

Further information on 明代及早期器物

Early Ming dynasty ceramics took inspiration from the intricate but busy Islamic styles of the outgoing Yuan Mongols but it wasn’t long before the Han started to exert their own influences on design. From the 15th century onwards, Ming porcelain decoration became more subtle and restrained but as demand grew from Japan and Europe, it once again became more elaborate. It was one of China’s major exports and was often exchanged for Spanish silver. By the sixteenth century, Ming dynasty porcelain included vibrant colours such as blues, reds, greens and yellows.By the late sixteenth and early seventeenth centuries, it was becoming increasingly common for producers of Ming pottery and Ming porcelain to add imperial reign dates to their wares and there started a trend for artists to sign their wares. A signature on a Ming vase of one of the most highly respected Ming dynasty porcelain artists could dramatically affect its price, such was the reputation of some of the artisan craftsmen of the era, not unlike the European painters of the day.

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