Porcelain & Works of Art

Japanese porcelain large celadon lavender glazed melon-form vase, the naturalistic five-lobed body with everted foot and short lipped brown rim, covered overall in an even celadon lavender Ru-type glaze, the brown foot rim revealing the body.

Japanese porcelain celadon lavender glazed fluted tea bowl, chawan, with pressed side, covered overall on the base and interior with an even pale celadon lavender Ru-type glaze thinning at the ribs, the foot and rim brown.

Japanese porcelain kingfisher celadon glazed hare’s fur tea bowl, chawan, covered overall on the base and interior with a finely streaked hare’s fur glaze pooling in the well, the glaze thinning at the brown rim and above the short foot rim.

Japanese porcelain celadon glazed flower bowl deeply potted with six everted petals, covered overall on the base and interior with an even pale celadon glaze thinning at the rim, the small short biscuit foot rim revealing the body.

Japanese porcelain pale celadon lavender glazed pinched ‘lotus’ flower vase of slender beaker form, with double pinched foliate rim and flared base, covered overall on the base and interior in an even pale celadon lavender glaze, slightly thinning at the rim, the flat unglazed foot rim revealing the biscuit body.

Japanese porcelain pale celadon lavender glazed tall flower vase of ‘penguin’ form, the slender body with double-pinched rim, bulb-form neck and flared foot, covered overall on the interior and base with an even celadon lavender glaze thinning at the rim, the unglazed foot rim revealing the biscuit body.

Japanese porcelain celadon glazed incense holder or waterpot and cover of persimmon form, covered overall on the base, interior and underside of the cover in a celadon ‘hare’s fur’ speckled glaze, the inner rim of the vessel and cover revealing the brown biscuit body, the flat foot rim glazed over.

Japanese porcelain sake bottle, tokuri, with a celadon lavender crackled glaze, the body of fruit form, the indented underside forming three naturalistic feet, with slender neck and slightly everted rim in brown revealing the body. 4 ½ inches, 11.5 cm high. Kawase Shinobu, 2017. Wood box, described as ‘celadon tokuri’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth, with the seal, ki-hen-syo-chu.

Chinese imperial porcelain fencai large thickly potted dish, finely painted with five-clawed iron-red and blue dragon on each side of a flaming gilt pearl, all amongst stylised ruyi-clouds and flames within a wide gilt band, the underside with an aubergine dragon and another iron-red dragon with two pearls amongst stylised clouds and flames.

Pair of Chinese porcelain famille verte, wucai biscuit table screens of rectangular form with chamfered corners, each with a figure standing on a riverbank in a mountainous river landscape scene with buildings and pine trees beneath a red sun, recessed within a yellow glazed border and surrounded by lotus flower reserves on a seed green ground, the reverse with bogu tu, ‘100 antiques’, books, censers, brush pots, vases of lotus flowers and peacock feathers, hanging lantern and a perch with a bird, within a recessed border surrounded by lotus flower reserves on a diaper ground.

A Chinese porcelain famille verte, wucai, brush pot, bitong, painted with three panels of Fuxing, the god of happiness, standing on a rocky promontory, holding a scroll and looking up at an iron-red bat in flight, beside overhanging rockwork; Luxing, the god of wealth, standing and holding up a gilt hu-tablet beside fencing and rockwork and beneath cloud scrolls and the sun; Kuixing, the god of examinations, standing on one leg on the head of a dragon fish emerging from crested waves while holding a brush in one hand and a bushel-measure in the other, his scantly clad torso with a large green ribbon and wearing gilt rings on his ankles, beside a small stack of books, all on an elaborate seed green ground with daisies, lotus, morning glory, prunus, hibiscus, tree peony and bamboo sprays above four clusters of ripe peaches, the foot, rim and interior glazed white, the base with unglazed wide band and recessed glazed centre.

Chinese porcelain famille verte, wucai brush pot, bitong, painted with two panels, with two elegant ladies standing beside a pair of chickens, next to a table and stools in a fenced landscape scene, with a rockwork table supporting a censer and cup with two wine jars on the grass, beside insects beneath the red sun, the reverse with a mountainous river landscape scene, with a viewing pavilion and fishing boat beneath the yellow sun, the base with a wide unglazed biscuit band encircling a recessed glazed circle.

Chinese porcelain blue and white large deep saucer dish of thickly potted form painted with a fabulous seated qilin amongst stylised flames, rockwork and plantain beneath the moon, all within a single line in underglaze blue and beneath a brown dressed rim, the underside plain with a wide channel foot rim, the blue of luminous tone. The base with an incised Chinese collector’s mark, da zhai (grand hall).

Chinese pure white jade thin snuff bottle of flattened form, well-hollowed with an oval neck and oval raised foot rim, with recessed base, the stone of even white colour, with fitted rose quartz stopper.

A rare and large Chinese porcelain blue and white bowl painted on the exterior with a dragon and phoenix bird amongst stylised flames, waves and flower sprays, the interior painted with a bird perched on rockwork amongst flowers encircled by a wide band of different flower sprays beneath butterflies in flight, blue glazed washed rim.

Macau depicting the Praya Grande looking North East from the rocky shore across the bay are the Monte and Guia Hills each with a fort at its summit.

A pair of Chinese porcelain famille verte rouleau vases, each painted with four central roundels representing the four seasons, peony, lotus, chrysanthemum and prunus, and each with a pair of different birds including mandarin ducks encircled by scrolling branches with lotus flower heads between stylised chrysanthemum with reverse pomegranate, above a band of lappets and beneath a wide band of mallow and tree peony on a continuous scrolling branch with leaves and gilt scrolls at the shoulder, the neck with two square panels with chamfered corners one with a pheasant amongst camellia the other with a kingfisher amongst tree peony between interlocked lotus flower heads and beneath stylised iron-red and gilt berries on the galleried rim, the underside with an underglaze blue double ring.

Chinese porcelain wucai four-tiered square picnic box and cover with indented corners, the cover painted with five crane medallions amongst clouds, each side with two chrysanthemum blooms and foliage and each section interior with two orchids, three bases with a six-character mark of Chenghua in iron-red, the flat white biscuit base unglazed.