Porcelain & Works of Art

Japanese porcelain sake bottle, tokuri, with a celadon lavender crackled glaze, the body of fruit form, the indented underside forming three naturalistic feet, with slender neck and slightly everted rim in brown revealing the body. 4 ½ inches, 11.5 cm high. Kawase Shinobu, 2017. Wood box, described as ‘celadon tokuri’, signed and with artist’s seal, Shinobu, on the interior of the cover and the orange cloth, with the seal, ki-hen-syo-chu.

Chinese imperial porcelain fencai large thickly potted dish, finely painted with five-clawed iron-red and blue dragon on each side of a flaming gilt pearl, all amongst stylised ruyi-clouds and flames within a wide gilt band, the underside with an aubergine dragon and another iron-red dragon with two pearls amongst stylised clouds and flames.

Pair of Chinese porcelain famille verte, wucai biscuit table screens of rectangular form with chamfered corners, each with a figure standing on a riverbank in a mountainous river landscape scene with buildings and pine trees beneath a red sun, recessed within a yellow glazed border and surrounded by lotus flower reserves on a seed green ground, the reverse with bogu tu, ‘100 antiques’, books, censers, brush pots, vases of lotus flowers and peacock feathers, hanging lantern and a perch with a bird, within a recessed border surrounded by lotus flower reserves on a diaper ground.

A Chinese porcelain famille verte, wucai, brush pot, bitong, painted with three panels of Fuxing, the god of happiness, standing on a rocky promontory, holding a scroll and looking up at an iron-red bat in flight, beside overhanging rockwork; Luxing, the god of wealth, standing and holding up a gilt hu-tablet beside fencing and rockwork and beneath cloud scrolls and the sun; Kuixing, the god of examinations, standing on one leg on the head of a dragon fish emerging from crested waves while holding a brush in one hand and a bushel-measure in the other, his scantly clad torso with a large green ribbon and wearing gilt rings on his ankles, beside a small stack of books, all on an elaborate seed green ground with daisies, lotus, morning glory, prunus, hibiscus, tree peony and bamboo sprays above four clusters of ripe peaches, the foot, rim and interior glazed white, the base with unglazed wide band and recessed glazed centre.

Chinese porcelain famille verte, wucai brush pot, bitong, painted with two panels, with two elegant ladies standing beside a pair of chickens, next to a table and stools in a fenced landscape scene, with a rockwork table supporting a censer and cup with two wine jars on the grass, beside insects beneath the red sun, the reverse with a mountainous river landscape scene, with a viewing pavilion and fishing boat beneath the yellow sun, the base with a wide unglazed biscuit band encircling a recessed glazed circle.

Chinese porcelain blue and white large deep saucer dish of thickly potted form painted with a fabulous seated qilin amongst stylised flames, rockwork and plantain beneath the moon, all within a single line in underglaze blue and beneath a brown dressed rim, the underside plain with a wide channel foot rim, the blue of luminous tone. The base with an incised Chinese collector’s mark, da zhai (grand hall).

Chinese pure white jade thin snuff bottle of flattened form, well-hollowed with an oval neck and oval raised foot rim, with recessed base, the stone of even white colour, with fitted rose quartz stopper.

A rare and large Chinese porcelain blue and white bowl painted on the exterior with a dragon and phoenix bird amongst stylised flames, waves and flower sprays, the interior painted with a bird perched on rockwork amongst flowers encircled by a wide band of different flower sprays beneath butterflies in flight, blue glazed washed rim.

Macau depicting the Praya Grande looking North East from the rocky shore across the bay are the Monte and Guia Hills each with a fort at its summit.

A pair of Chinese porcelain famille verte rouleau vases, each painted with four central roundels representing the four seasons, peony, lotus, chrysanthemum and prunus, and each with a pair of different birds including mandarin ducks encircled by scrolling branches with lotus flower heads between stylised chrysanthemum with reverse pomegranate, above a band of lappets and beneath a wide band of mallow and tree peony on a continuous scrolling branch with leaves and gilt scrolls at the shoulder, the neck with two square panels with chamfered corners one with a pheasant amongst camellia the other with a kingfisher amongst tree peony between interlocked lotus flower heads and beneath stylised iron-red and gilt berries on the galleried rim, the underside with an underglaze blue double ring.

Chinese porcelain wucai four-tiered square picnic box and cover with indented corners, the cover painted with five crane medallions amongst clouds, each side with two chrysanthemum blooms and foliage and each section interior with two orchids, three bases with a six-character mark of Chenghua in iron-red, the flat white biscuit base unglazed.

Pair of Chinese celadon glazed small vases and covers of guan form, each carved with flowerheads on a continuous scrolling branch amongst leaves above a wide lappet band with upright leaves and further flowerheads and scrolls on the shoulder, and beneath a triangular band on the gently flared neck, the covers with central raised flowerhead, again above a scrolling flowerhead band, the base glazed, the unglazed foot rim, rim and underside of the cover revealing the biscuit body.

Chinese inside glass painted snuff bottle with a peacock and peahen perched on a large branch of pine looking down at the rising moon, the reverse with a blue ground fan painted with two orioles amongst flowering magnolia, each side with a phrase signed by Sun Jijie and dated 1971.

Pair of Chinese famille verte biscuit porcelain large models of seated Buddhist lions on openwork rectangular stands, the male with a reticulated ball of cash-pattern simulating a brocade ball under his front left raised paw, the female with a cub climbing up her front raised right paw, each covered on the body in a translucent pale green glaze with relief hair work to the mane and spine heightened in dark green and blue enamel, their faces in pale yellow with wang-characters on their foreheads, the upright tails with aubergine glaze, the stands with peony, chrysanthemum, magnolia, camellia, prunus, lotus and pinks on a speckled green ground, each with two butterflies. The flat underside unglazed with muslin effect. 14 inches, 35.7 cm high. Early Kangxi, circa 1680.

A pair of Chinese mirror paintings of seated ladies, each resting her arm on rockwork beside an overhanging tree, wearing a long pink robe and blue skirt and holds in her lap a white feathered fan, all in a garden scene on a mirror ground.

A fine Chinese champlevé lobed cushion form stem box and cover with eight relief red enamel lotus flowers on scrolling gilt branches with leaves, encircling a blue and yellow flowerhead on the cover, all on a rich turquoise ground, the interior and base with turquoise lining.

Chinese jade openwork pendant carved in the form of a squirrel on a fruiting grape vine with a large leaf with touches of brown russet, the squirrel with hairwork on its tail, the stone white with russet.

A Chinese pale celadon jade openwork plaque carved with two standing cranes amongst lotus leaves, flowers and arrow heads.