Porcelain & Works of Art

Chinese porcelain blue and white baluster vase with single-ribbed neck and galleried rim, painted on the body with three qilins standing on rocks amongst billowing and crested waves and sea spray, with stylised flames being emitted from their mouths, the ribbed neck with bands of lappets, scrolls and ruyi-heads, all between crenulated bands above the foot and on the rim, the base glazed white.

Pair of Chinese porcelain famille rose, fencai, square tapered vases and stands, painted on the facets with eight different scenes, comprised of a General in conversation with two dignitaries at a city wall, three ladies beside a table, a young couple with a child, and a lady and gentleman walking beside a fence, the other vase with two smiling men dancing, holding fans meeting a young figure with a sword tied to his back, a monk seated on a mat beside a lady and attendant, a scholar in landscape with attendant and boy and a couple on either side of a long table, all beneath the sloping shoulders, with pink flowerheads and leaves on a lemon yellow ground, beneath butterflies on the neck and a crenulated band on the flat square rim, the stands decorated with a turquoise and yellow enamelled ground with stylised flowers and a triangular iron-red diaper on the flat rim.

A large Japanese porcelain globular vase and cover, covered overall in a creamy crackle glaze and decorated on either sides with a vase of flowers and blue, copper red and gilt enamels, the neck decorated with a draped piece of fabric tied with a rope at the rim, continuing with a dragon on the cover.

Famille rose figural group of a seated Chinese man drinking beside a lady with his arm on her shoulder, both on a naturalist pierced rockwork plinth, the man’s blue-enamelled unbuttoned tunic incised with ruyi-clouds, also wearing iron-red breeches and black enamelled boots, the lady with her right hand raised to her mouth, wearing a yellow jacket with landscape panels and a blue dress with a leg and bound foot revealed, her hair tied and pinned in a high chignon.

A Chinese porcelain blue and white lobed teapot and cover, painted with four panels of river landscape scenes with pavilions, fisherman, pine tree, a viewing pavilion and birds in flight, with floral sprays on the spout and handle, the cover similarly decorated.

Large Swatow deep circular dish painted in turquoise, black and iron-red enamels with a large central scene of the ‘split pagoda’, with mountains in the distance, figures crossing a bridge and boats, all above three pagodas on rockwork, surrounded by four ruyi-head flaming medallions of fisherman, two with figures crossing a bridge, one with a fishing boat with one of the fisherman holding a net and the other with a boat in a river scene, between four four-character iron-red seals within a double square, the underside plain, the base and foot rim with sand grit.

Large Swatow deep circular dish painted in turquoise, black, iron-red and green enamel with gently everted rim, painted in the centre with a barefoot artist wandering in a landscape holding a branch supporting a long-tailed bird, with a rucksack of scrolls and gourd, a further rolled scroll sits on an easel extending from his rucksack, all beside a deer, rockwork, bamboo and beneath a large chrysanthemum, encircled by a lappet band of flowers and branches, the cavetto painted with four large lobed reserves, two with birds perched amongst aster and camellias and two with lotus flowerheads, all between chilong dragon roundels on an iron-red diaper ground of cash and cross-hatch, the underside plain, the base and foot rim with sand grit.

Famille rose and grisaille eggshell soup plate, painted in the centre with a mountainous river-landscape scene with a tall pagoda in the distance and a gated village in the foreground with a figure and his attendant between two horses, another figure crossing a bridge with a fisherman sitting in his boat beside his raised fishing rod, all amongst delicately painted rockwork, trees and houses, beneath a wide gilt floral leafy continuous branch in the cavetto, the flat everted rim with three peony sprays in leaf-shape reserves, besides white and pink chrysanthemum on a pink diaper ground and a gilt diaper band at the rim.

A Chinese porcelain famille verte hexagonal puzzle ewer and cover, painted on the body with panels of mythological animals between branches of flowering plants between bands of flowers, precious objects, scrolls and diaper bands, all on a pedestal foot with precious objects repeated on the cover.

A Chinese porcelain famille verte large fluted flower-form dish with foliate rim, painted in the centre with a battle scene of three equestrians, bannermen and a swordsman in a landscape with rockwork, encircled by six wide panels, two with mythological animals, two with ‘Hundred Antiques’ and two with flowers, between baluster-form divides. The underside with a large artemisia leaf mark within a double ring in underglaze blue.

A set of four China Trade gouache and watercolour paintings on paper heightened in gum Arabic, three painted with palace garden scenes with figures amongst exotic overhanging trees and one with pagoda island.

Whampoa the deep water anchorage on the Pearl River about eight miles downstream from Canton where the East Indiamen lay at anchor during the four month trading season, the view is taken from Dane’s Island looking towards Wampoa Island with its two pagodas.

Macau depicting the Praya Grande looking North East from the rocky shore across the bay are the Monte and Guia Hills each with a fort at its summit.

Shanghai with American and British vessels.

Mouth to the Boca Tigris with a Folly Fort.

Canton depicting the foreign factories of America, France, Britain, Denmark who’s flag signified the headquarters of Jardine Matheson one of who’s directors acted as the Danish Consul, the flag of Hamburg and the flag of Prussia and dated to December 6th 1856.

Hong Kong with a British steam ship.

A Chinese jade standing model of Liu Hai holding a long string of cash and a broom with his three legged toad perched on his shoulder and holding a coin in his other hand, finely carved with detailed work, the stone of pale celadon tone.