Porcelain & Works of Art

Chinese turquoise glazed biscuit porcelain joss-stick holder in the form of the He He Erxian, both seated and smiling with their arms around each other, one holding a box, the other a floral branch and exposing their corpulent bellies protruding from their robes, above a singular circular joss-stick holder, with unglazed base.

Pair of Chinese high-fired tilework garden seats, zuodun, each pierced on the body with an interlocking drum shaped design, covered in an apple-green glaze, both ends in rich amber glaze with high relief studs.

Large Chinese famille verte biscuit porcelain sancai openwork fruit-form pyramid scroll weight, zhizhen, on a quatrefoil-lobed integral stand, with extensive fruit in green, yellow, aubergine and black glazes, amongst large vine leaves, all on an openwork rock form ground, the sancai splashed base with everted, green-glazed rim, the base unglazed.

Large pair of Chinese famille verte biscuit porcelain, sancai lotus-pod form pyramid scroll weights, zhizhen, each consisting of large lotus pods stacked amongst lotus leaves and branches with green glazed relief steepled flat ends and yellow glaze bodies, one with a small pod issuing from leaves at the top, all on quadrifoliate lobed integral stands splashed in yellow, green and aubergine, with a flat everted ridge edge and green rim, the bases unglazed.

Pair of Chinese famille verte, sancai, biscuit porcelain models of Buddhist lions, each on a raised rectangular plinth, the female with a puppy climbing at her front raised right leg, the male with an openwork reticulated brocade bowl with cash motif under his front left leg, the body with bright yellow and green glaze with detailed hairwork, the raised bases with splash glaze, the unglazed flat bases with traces of muslin from the firing, each base with a two character ink mark, gui mao, “elegant and good spirited”.

Pair of Chinese famille verte biscuit porcelain standing figures of Cao Guojiu holding an ingot, his hair tied up in two buns and a figure of He Xiangu holding a branch of lingzhi with a ruyi-head, each with a green jacket, yellow skirt and aubergine pierced rockwork raised bases, the detailed faces and hands with clear glaze.

Chinese famille verte biscuit porcelain water dropper, shuizhu, of a recumbent piebald horse on a green glazed leaf-form base, with head turned to the side beneath its long flowing segmented mane and forelock falling between the pricked ears, the front legs bent as if about to stand, covered on the body with dark brown enamel patches on a pale cream translucent ground, the back with open oval aperture, the tail and mane heightened in pale aubergine glaze, the bridle and hair to the small pastern heightened in yellow, the base unglazed.

A Chinese imperial porcelain blue and white small saucer dish, painted in the centre in luminous vivid tones, with three scaled mythical animals including a qilin, a monkey headed qilin and an elephant headed animal, together with a tiger and a dragon emerging from rockwork beneath ruyi clouds, with a pine branch, other plants, rockwork and flowerheads, encircled with a continuous border of a lotus pound with pairs of geese, ducks, cranes and other birds amongst lotus flowers, leaves, arrow heads and aquatic leaves, the underside with six branches of pomegranate, hibiscus, persimmon, morning glory, peach and another flowering branch. Japanese wood box.

A Japanese porcelain Kakiemon polychrome deep bowl with foliate lobed upright brown dressed rim, painted on the exterior with two elaborate-tailed birds in flight between branches of bamboo, leaves and rockwork, the interior with flowering branches of plum blossom amongst rockwork, all painted in luminous tones of blue, turquoise and iron red enamels. The glazed base with a single ring in underglaze blue and a spur mark. The white fine biscuit foot rim revealing the body.

A pair of Chinese porcelain blue and white square flasks and covers each painted with four different scenes, probably from the story of Yang Yi and her family, Yang Jia Jiang Yanji, with scenes of her in full armour on horseback, holding two swords aloft and going into battle while another army flees, another with her meeting a general, another of ministers meeting a general, and a further scene with her seated in formal military attire at a table while her soldiers bring in a prisoner naked to the waist with his hands tied behind his back, all within triangular diaper borders, with a wan character ground at the shoulder, and flowering branches on the neck, with different matched covers, one with key-fret and fish panels, the other with lozenge and ruyi heads, the finials with a fu character, good fortune. The unglazed bases revealing the biscuit body with recessed glazed square centres, each with a ribbon tied leaf mark in underglaze blue.

Pair of Chinese porcelain blue and white wine ewers, each with rounded globular body, tall cylindrical tapered neck, with a relief flanged beneath the mouth and a dragon-head handle, painted with lobed lozenge form floral reserves amongst flower heads between similar borders, the neck with similar reserves on a net form ground, the handle with blue glazed open mouth dragon head and scrolling branches, terminating in a large leaf. The flat bases on glazed revealing the smooth white biscuit body.

A Chinese porcelain famille verte rectangular tea caddy and cover, painted with lotus leaves, flower-heads, aquatic plants and a rhizome, beneath iron-red insects in flight the reverse with flowering chrysanthemum, pierced rockwork with a butterfly and insects in flight, the two shorter sides each with flowering branches of morning glory, the shoulder with aster flowers, branches and rockwork, all the panels outlined with a green glazed frame and supported on four raised bracket feet, the cover with peony and camellia.

A Chinese white jade snuff bottle of generous rounded form, upright neck relief foot rim and superbly hollowed with two masks and ring handles.

A Chinese honey shadow agate snuff bottle, carved in low relief with a scholar seated in a naturalistic raft, with a bat in flight above his head, on a rich honey coloured naturally mottled ground, the reverse of lighter tone, with superbly hollowed interior, convex rim and short raised foot rim, agate stopper.

A Chinese shadow agate snuff bottle carved in low relief, with a dark brown falcon, its head turned back on a superbly hollowed naturally mottled ground, all on a short raised foot rim, with natural carved qilong dragon stopper, the stopper damaged.

A set of three Chinese porcelain ko-akae, wucai, polychrome lozenge shape dishes with foliate flutted rims, each painted with a seated figure of Budai, resting against his long staff holding a necklace in his right hand and the edge of his treasure sack, beside the edge of rocky promontory with an overhanging pine tree beneath iron-red cloud within an iron-red border, the rim dressed brown. The base with a two characters mark of Taiping within a double rectangle,

A Chinese porcelain ko-akai, wucai, square dish, painted in the centre with a crosshatch design of different polychrome grounds including key-fret, cash, tile, scale and chainmail dispersed between iron red flower heads of lotus, prunus and camellia, encircled by a band of butterfly and insects beneath a flat everted rim, painted with crested swirling waves, the chamfered corners with pendent flowers.

A Chinese porcelain blue and white kosometsuke plate, painted in the centre with a rabbit with his head turned upwards in white on an underglaze blue roundel, encircled by four different geometric grounds including key-fret, cash, chainmail and scales, divided by a cross, each terminating with a pair of cions, all beneath a blue ground boarder, on a scrolling ground, the underside with flower heads and scrolls.